In an exhibition at Kunsthalle Mainz, German artist Thomas Schütte (born 1954) and Vietnamese artist Danh Vo (born 1975) present sculptural installations responding to the nearby Niederwalddenkmal, a national monument of Germania. Their works explore notions of nationhood and the contemporary monument.
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Book Description Soft Cover. Condition: new. Seller Inventory # 9783903153585
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Book Description Paperback. Condition: Brand New. bilingual edition. 94 pages. German language. 11.00x8.75x0.50 inches. In Stock. Seller Inventory # 3903153583
Book Description Condition: New. 2018. Bilingual. Paperback. . . . . . Seller Inventory # V9783903153585
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Book Description Condition: New. 2018. Bilingual. Paperback. . . . . . Books ship from the US and Ireland. Seller Inventory # V9783903153585
Book Description Paperback. Condition: new. Paperback. Nations and states establish a strong collective image by disseminating symbols of their rulers and erecting monuments and temples. In public spaces, statues in particular are seen to represent systems of political rule. They mark squares, urban nexuses, and mountain ranges--visible from afar. Once erected, they serve as a timeless demonstration of authority, emphasising irrefutable legitimacy.But how is power depicted today? Are statues still a democratically tenable form? How does a nation present itself to the public? Where is its focal point?This publication accompanies the exhibition of the same name at Kunsthalle Mainz. Its hematic point of departure from the Niederwalddenkmal situated near Mainz, a monument that consists of a massive figure of Germania.Two important internationally active artists are featured here: Thomas Schtte and Danh Vo.Thomas Schtte's, Vater Staat (Father State) (2011) is a present-day counterpart to Germania.Danh Vo, a native of Vietnam, exhibits fragments of the American Statue of Liberty in their original size. Executed in copper repouss, the individual parts are displayed on pallets as symbols of inquiry into the nation in an age of emigration, loss of homeland, and globalization.Published retrospectively after the exhibition, Thomas Schtte / Danh Vo: Das Reich ohne Mitte (The Empire Without a Center) at Kunsthalle Mainz, Germany (5 August - 6 October 2013).English and German text. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783903153585
Book Description Paperback. Condition: new. Paperback. Nations and states establish a strong collective image by disseminating symbols of their rulers and erecting monuments and temples. In public spaces, statues in particular are seen to represent systems of political rule. They mark squares, urban nexuses, and mountain ranges--visible from afar. Once erected, they serve as a timeless demonstration of authority, emphasising irrefutable legitimacy.But how is power depicted today? Are statues still a democratically tenable form? How does a nation present itself to the public? Where is its focal point?This publication accompanies the exhibition of the same name at Kunsthalle Mainz. Its hematic point of departure from the Niederwalddenkmal situated near Mainz, a monument that consists of a massive figure of Germania.Two important internationally active artists are featured here: Thomas Schtte and Danh Vo.Thomas Schtte's, Vater Staat (Father State) (2011) is a present-day counterpart to Germania.Danh Vo, a native of Vietnam, exhibits fragments of the American Statue of Liberty in their original size. Executed in copper repouss, the individual parts are displayed on pallets as symbols of inquiry into the nation in an age of emigration, loss of homeland, and globalization.Published retrospectively after the exhibition, Thomas Schtte / Danh Vo: Das Reich ohne Mitte (The Empire Without a Center) at Kunsthalle Mainz, Germany (5 August - 6 October 2013).English and German text. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783903153585