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The Cultural Cold War Shocking evidence of cultural manipulation during the Cold War is presented as Saunders' book draws together newly declassified documents and interviews with cultural figures such as George Orwell and Gloria Steinem to expose the CIA's astonishing campaign. Photos.
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Review:
"A tale of intrigue and betrayal, with scene after scene as thrilling as any in a John le Carré novel." —Chronicle of Higher Education
"A major work of investigative history [and] an extremely valuable contribution to the all-important post–World War II record." —Edward Said, London Review of Books
"[Saunders] writes with a sense of humor and an appreciation of the historical circumstances. . . . [She] avoids polemic and fits the fragments of elusive fact into a coherent and persuasive narrative." —Lewis Lapham, Los Angeles Times
"Makes clear the sinuous interlocking nature of American governmental, corporate and
cultural life . . . consistently fascinating." —Michael Dirda, The Washington Post Book World
"Saunders negotiates an ocean of factual material deftly and . . . is very good on the ethical and political ironies of the CIA’s cultural projects." —San Francisco Chronicle
"The comprehensive guide to the CIA’s involvement with the arts." —The Awl
About the Author:
"A major work of investigative history [and] an extremely valuable contribution to the all-important post–World War II record." —Edward Said, London Review of Books
"[Saunders] writes with a sense of humor and an appreciation of the historical circumstances. . . . [She] avoids polemic and fits the fragments of elusive fact into a coherent and persuasive narrative." —Lewis Lapham, Los Angeles Times
"Makes clear the sinuous interlocking nature of American governmental, corporate and
cultural life . . . consistently fascinating." —Michael Dirda, The Washington Post Book World
"Saunders negotiates an ocean of factual material deftly and . . . is very good on the ethical and political ironies of the CIA’s cultural projects." —San Francisco Chronicle
"The comprehensive guide to the CIA’s involvement with the arts." —The Awl
Frances Stonor Saunders is the author of The Cultural Cold War: The CIA and the World of Arts and Letters (The New Press), The Devil’s Broker, and The Woman Who Shot Mussolini. She has worked as the arts editor of the New Statesman; writes and presents for BBC radio; and has written for Areté, The Guardian, Lapham’s Quarterly, and the Los Angeles Times. She lives in London.
"About this title" may belong to another edition of this title.
- PublisherNew Pr
- Publication date2001
- ISBN 10 1565846648
- ISBN 13 9781565846647
- BindingPaperback
- Number of pages528
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