Traces the life of the Dutch artist, analyses his paintings, paying particular attention to "The Astronomer," and explains the historical and social context of his work.
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Review:
Chosen in 1999 as one of Random House Modern Library's 100 best non-fiction books of the 20th century 'There are writings on art which are destined to remain valid, even when the evidence on which they were originally based has meanwhile been revised or expanded...Lawrence Gowing's monograph on Vermeer...belongs to this class...This multi-layered reading of the oeuvre surely remains unaffected by the progressive expansion of our knowledge that has occurred in the intervening years.' Professor Sir Ernst Gombrich in his preface to the third edition 'Gowing's text remains the single best sustained piece of critical writing in English that exists on Vermeer.' Svetlana Alpers, 1997 'Art books are rarely works of art. To this rule, Professor Gowing's Vermeer is a great exception and one is grateful for this new edition [1970]...It constitutes one of the most perfect extended pieces of stylistic criticism to emerge in recent years...The total book casts so many shafts of illumination not only on to the nature of Vermeer's art, but on art itself, that it will reward reading and re-reading.' Alistair Smith in Museums Journal '...finely balanced between painterly -- almost poetic -- insight and factual scholarship...it is undoubtedly the best and most profound book on Vermeer in the English language...His analysis of Vermeer's temperament and the nature of his genius as revealed in his work is very impressive and stimulating.' John Berger on the first edition
From the Publisher:
Just chosen as one of 100 best non-fiction bks of 20th cent Lawrence Gowing's Vermeer was chosen by the panel of Random House's Modern Library in April 1999 as one of the 100 best non-fiction books written in English of the 20th century. It came no. 83 in the list. (See New York Times of 30 April 1999.)
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