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In 1890, Henrik Ibsen premiered Hedda Gabler, a play questioning the role of women in Victorian society. Some audiences have viewed Gabler as a woman driven to desperation simply because her world has turned out to be less charmed than she hoped. For others, she is a victim of her times, unwilling to devote herself, as was expected of her, to the duties of home. Jon Robin Baitz has brushed away the cobwebs, and he serves as an ambassador from Ibsen's age to our own, preserving the intensity of the original but translating it into a spare, contemporary idiom. His adaptation provides an opportunity to understand the play through a lens shaped by feminism and a theatrical tradition beginning with Beckett. Trapped by the conventions of her age, Gabler is both a martyr and a female incarnation of Vladimir and Estragon, longing for a salvation that will likely never arrive.
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Paperback. Pub the Date: May. 2001 Pages: 112 in Publisher by: Grove Press Atlantic Monthly Press Universally condemned in 1890 the when it was written. Hedda Gabler has Operating since become one of Ibsen's most frequently performed plays Its title role is elusive and complex: Hedda is an intelligent and ambitious woman. who has no means of finding personal fulfilment in the stifling world of late nineteenth-century bourgeois society. Too frightened of scandal to become involved with a illiant. wayward writer. she opts for a conventional but loveless marriage in the hope of finding surrogate fulfilment through her husband's career. Blending comedy and tragedy disconcertingly together. Ibsen probes the thwarted aspirations and hidden anxieties of his characters against a background of contemporary social conditions and attitudes.
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'You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days. Well, sir, in three months I could pass that girl off as a duchess at an ambassador's garden party. I could even get her a place as lady's maid or shop assistant, which requires better English.'
Following this public boast, Professor Henry Higgins accepts a challenge to teach the flower-seller Eliza Doolittle to speak standard English and launch her into polite society. Through Higgins's triumphant transformation of Eliza into a 'lady', and Eliza's subsequent rebellion against Higgins's attitudes and assumptions, Shaw's provocative comedy explores questions of speech and class in England.
First performed in London in 1914, 'Pygmalion' quickly established itself among the classic English comedies. On this lively recording, which offers the complete text of the definitive script of 1I39, the play is performed by a distinguished cast led by Sir Michael Redgrave, Sir Michael Hordern, Lynn Redgave and Donald Pleasence.
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- PublisherGrove Press
- Publication date2001
- ISBN 10 0802138063
- ISBN 13 9780802138064
- BindingPaperback
- Number of pages112
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Book Description Paperback. Condition: new. Paperback. In 1890, Henrik Ibsen premiered Hedda Gabler, a play questioning the role of women in Victorian society. Some audiences have viewed Gabler as a woman driven to desperation simply because her world has turned out to be less charmed than she hoped. For others, she is a victim of her times, unwilling to devote herself, as was expected of her, to the duties of home. Jon Robin Baitz has brushed away the cobwebs, and he serves as an ambassador from Ibsen's age to our own, preserving the intensity of the original but translating it into a spare, contemporary idiom. His adaptation provides an opportunity to understand the play through a lens shaped by feminism and a theatrical tradition beginning with Beckett. Trapped by the conventions of her age, Gabler is both a martyr and a female incarnation of Vladimir and Estragon, longing for a salvation that will likely never arrive. In 1890, Henrik Ibsen premiered Hedda Gabler, a play questioning the role of women in Victorian society. Some audiences have viewed Gabler as a woman driven to desperation simply because her world has turned out to be less charmed than she hoped. For others, she is a victim of her times, unwilling to devote herself, as was expected of her, to the duties of home. Jon Robin Baitz has brushed away the cobwebs, and he serves as an ambassador from Ibsen's age to our own, preserving the intensity of the original but translating it into a spare, contemporary idiom. His adaptation provides an opportunity to understand the play through a lens shaped by feminism and a theatrical tradition beginning with Beckett. Trapped by the conventions of her age, Gabler is both a martyr and a female incarnation of Vladimir and Estragon, longing for a salvation that will likely never arrive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780802138064
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