An Elegy for Easterly - Softcover

“Petina Gappah’s stories range from scathing satire of Zimbabwe’s ruling elite to earthy comedy to sensitive accounts of the sufferings of humble victims of the regime. Gappah is a fine writer and a rising star of Zimbabwean literature.” —J. M. Coetzee
“In an era when a never-ending newsfeed lets crucial events slip into oblivion, Petina Gappah’s stories are particularly important. With great insight, humor, and energy, she brings us a world that, despite its differences at first glance, is not unlike our own: its people’s hopes and fears are our hopes and fears, their laughter and tears ours, too. Gappah is a powerful new writer worth celebrating.” —Yiyun Li, author of "The Vagrants
"“In "An Elegy for Easterly," Petina Gappah has written a vital and honest collection of stories that vividly capture the surreal personal tragedies of twenty-first-century Zimbabweans through a rich palette of wry, dark, and inti

"Petina Gappah's stories range from scathing satire of Zimbabwe's ruling elite to earthy comedy to sensitive accounts of the sufferings of humble victims of the regime. Gappah is a fine writer and a rising star of Zimbabwean literature." --J. M. Coetzee
"In an era when a never-ending newsfeed lets crucial events slip into oblivion, Petina Gappah's stories are particularly important. With great insight, humor, and energy, she brings us a world that, despite its differences at first glance, is not unlike our own: its people's hopes and fears are our hopes and fears, their laughter and tears ours, too. Gappah is a powerful new writer worth celebrating." --Yiyun Li, author of "The Vagrants
""In "An Elegy for Easterly," Petina Gappah has written a vital and honest collection of stories that vividly capture the surreal personal tragedies of twenty-first-century Zimbabweans through a rich palette of wry, dark, and intimate voices." --Owen Sheers, author of "Resistance "and "The Dust Diaries
""Death and disaster, while never glossed over, are handled with unexpected humor, as they often are in folktales, and this is a part of the book's great charm... [One] story, about an elderly coffin maker who comes out of retirement and then dances himself to death on the floor of the "Why Leave Guesthouse and Disco-Bar" has a wild, cracked gallows humor reminiscent of Chekhov's peasant stories. And "The Maid from Lalapanzi," a wonderful tale structured partly as a chronicle of the various country girls hired and fired as maids in the narrator's household, spreads out such a wealth of comedic social detail that you don't fully grasp the underlying brutality of the story until it's over. All of these pieces depend on swiftness and lightness for their effect; flaring up into momentary life and then fading out before they acquire any burdensome solemnity, and this . . . seems true to the essential nature of the [short story] form." --James Lasdun, "The Guardian
""A fine, soul-stirring debut presents 13 snapshots of life in desperate contemporary Zimbabwe. ... Searing, but never over the top: Gappah holds the anger and horror in check with exemplary artistic discipline." --"Kirkus Reviews
""In her accomplished debut, Gappah, a Zimbabwean writer and international trade lawyer, casts her compassionate eye on a diverse array of characters living, grieving, loving-and fighting to survive-under Robert Mugabe's regime . . . Gappah's deep well of empathy and saber-sharp command of satire give her collection a surplus of heart and verve." --"Publishers Weekly
""Many of the stories are written with humor and insight, and Gappah's characters are so vivid that it's easy to put aside the politics for a while and embrace the human factor . . . Perhaps it's her love of people that has helped her to get under the skin of her characters and shape them so effortlessly on the page." --Lauren De Beer, "The Weekender" (South Africa)
"A series of short, heartbreaking tales . . . These stories are shot through with humor and empathy. And for anyone who has been in Zimbabwe in recent years, this book is full of closely observed local detail that will bring back memory." --Geoff Wisner, "The Christian Science Monitor
""It is the frequent humour in these stories that makes them remarkable, even if their outcomes can be tragic. Often satirical, occasionally lyrical, they are a delight." --Tom Fleming, "The Observer
""The book is an elegy in a broader sense - for the optimism and hope of 1980, beautifully evoked in 'Aunt Juliana's Indian.' ... Gappah's language is crisp and clean, with a musical quality that frequently draws on her first language, Shona. "An Elegy for Easter" is a powerful debut from a fresh voice, with themes - from disappointment and betrayal to promise and love - that will resonate with readers everywhere." --Susan Williams, "The Independent"

"Laced with deliciously dark comic undertones . . . This hybridization of cultures assimilates the reader into the vibrant, prosperous home left behind, but preserved in Gappah's hopeful imagination." --Eachan Johnson, "The Oxonian Review"

Petina Gappah's stories range from scathing satire of Zimbabwe's ruling elite to earthy comedy to sensitive accounts of the sufferings of humble victims of the regime. Gappah is a fine writer and a rising star of Zimbabwean literature. "J. M. Coetzee"

In an era when a never-ending newsfeed lets crucial events slip into oblivion, Petina Gappah's stories are particularly important. With great insight, humor, and energy, she brings us a world that, despite its differences at first glance, is not unlike our own: its people's hopes and fears are our hopes and fears, their laughter and tears ours, too. Gappah is a powerful new writer worth celebrating. "Yiyun Li, author of The Vagrants"

In "An Elegy for Easterly," Petina Gappah has written a vital and honest collection of stories that vividly capture the surreal personal tragedies of twenty-first-century Zimbabweans through a rich palette of wry, dark, and intimate voices. "Owen Sheers, author of Resistance and The Dust Diaries"

Death and disaster, while never glossed over, are handled with unexpected humor, as they often are in folktales, and this is a part of the book's great charm [One] story, about an elderly coffin maker who comes out of retirement and then dances himself to death on the floor of the "Why Leave Guesthouse and Disco-Bar" has a wild, cracked gallows humor reminiscent of Chekhov's peasant stories. And "The Maid from Lalapanzi," a wonderful tale structured partly as a chronicle of the various country girls hired and fired as maids in the narrator's household, spreads out such a wealth of comedic social detail that you don't fully grasp the underlying brutality of the story until it's over. All of these pieces depend on swiftness and lightness for their effect; flaring up into momentary life and then fading out before they acquire any burdensome solemnity, and this . . . seems true to the essential nature of the [short story] form. "James Lasdun, The Guardian"

A fine, soul-stirring debut presents 13 snapshots of life in desperate contemporary Zimbabwe. Searing, but never over the top: Gappah holds the anger and horror in check with exemplary artistic discipline. "Kirkus Reviews"

In her accomplished debut, Gappah, a Zimbabwean writer and international trade lawyer, casts her compassionate eye on a diverse array of characters living, grieving, loving and fighting to survive under Robert Mugabe's regime . . . Gappah's deep well of empathy and saber-sharp command of satire give her collection a surplus of heart and verve. "Publishers Weekly"

Many of the stories are written with humor and insight, and Gappah's characters are so vivid that it's easy to put aside the politics for a while and embrace the human factor . . . Perhaps it's her love of people that has helped her to get under the skin of her characters and shape them so effortlessly on the page. "Lauren De Beer, The Weekender (South Africa)"

A series of short, heartbreaking tales . . . These stories are shot through with humor and empathy. And for anyone who has been in Zimbabwe in recent years, this book is full of closely observed local detail that will bring back memory. "Geoff Wisner, The Christian Science Monitor"

It is the frequent humour in these stories that makes them remarkable, even if their outcomes can be tragic. Often satirical, occasionally lyrical, they are a delight. "Tom Fleming, The Observer"

The book is an elegy in a broader sense for the optimism and hope of 1980, beautifully evoked in Aunt Juliana's Indian.' Gappah's language is crisp and clean, with a musical quality that frequently draws on her first language, Shona. "An Elegy for Easter" is a powerful debut from a fresh voice, with themes from disappointment and betrayal to promise and love that will resonate with readers everywhere. "Susan Williams, The Independent"

Laced with deliciously dark comic undertones . . . This hybridization of cultures assimilates the reader into the vibrant, prosperous home left behind, but preserved in Gappah's hopeful imagination. "Eachan Johnson, The Oxonian Review""

Petina Gappah's stories range from scathing satire of Zimbabwe's ruling elite to earthy comedy to sensitive accounts of the sufferings of humble victims of the regime. Gappah is a fine writer and a rising star of Zimbabwean literature. J. M. Coetzee

In an era when a never-ending newsfeed lets crucial events slip into oblivion, Petina Gappah's stories are particularly important. With great insight, humor, and energy, she brings us a world that, despite its differences at first glance, is not unlike our own: its people's hopes and fears are our hopes and fears, their laughter and tears ours, too. Gappah is a powerful new writer worth celebrating. Yiyun Li, author of The Vagrants

In An Elegy for Easterly, Petina Gappah has written a vital and honest collection of stories that vividly capture the surreal personal tragedies of twenty-first-century Zimbabweans through a rich palette of wry, dark, and intimate voices. Owen Sheers, author of Resistance and The Dust Diaries

Death and disaster, while never glossed over, are handled with unexpected humor, as they often are in folktales, and this is a part of the book's great charm [One] story, about an elderly coffin maker who comes out of retirement and then dances himself to death on the floor of the "Why Leave Guesthouse and Disco-Bar" has a wild, cracked gallows humor reminiscent of Chekhov's peasant stories. And "The Maid from Lalapanzi," a wonderful tale structured partly as a chronicle of the various country girls hired and fired as maids in the narrator's household, spreads out such a wealth of comedic social detail that you don't fully grasp the underlying brutality of the story until it's over. All of these pieces depend on swiftness and lightness for their effect; flaring up into momentary life and then fading out before they acquire any burdensome solemnity, and this . . . seems true to the essential nature of the [short story] form. James Lasdun, The Guardian

A fine, soul-stirring debut presents 13 snapshots of life in desperate contemporary Zimbabwe. Searing, but never over the top: Gappah holds the anger and horror in check with exemplary artistic discipline. Kirkus Reviews

In her accomplished debut, Gappah, a Zimbabwean writer and international trade lawyer, casts her compassionate eye on a diverse array of characters living, grieving, loving and fighting to survive under Robert Mugabe's regime . . . Gappah's deep well of empathy and saber-sharp command of satire give her collection a surplus of heart and verve. Publishers Weekly

Many of the stories are written with humor and insight, and Gappah's characters are so vivid that it's easy to put aside the politics for a while and embrace the human factor . . . Perhaps it's her love of people that has helped her to get under the skin of her characters and shape them so effortlessly on the page. Lauren De Beer, The Weekender (South Africa)

A series of short, heartbreaking tales . . . These stories are shot through with humor and empathy. And for anyone who has been in Zimbabwe in recent years, this book is full of closely observed local detail that will bring back memory. Geoff Wisner, The Christian Science Monitor

It is the frequent humour in these stories that makes them remarkable, even if their outcomes can be tragic. Often satirical, occasionally lyrical, they are a delight. Tom Fleming, The Observer

The book is an elegy in a broader sense for the optimism and hope of 1980, beautifully evoked in Aunt Juliana's Indian.' Gappah's language is crisp and clean, with a musical quality that frequently draws on her first language, Shona. An Elegy for Easter is a powerful debut from a fresh voice, with themes from disappointment and betrayal to promise and love that will resonate with readers everywhere. Susan Williams, The Independent

Laced with deliciously dark comic undertones . . . This hybridization of cultures assimilates the reader into the vibrant, prosperous home left behind, but preserved in Gappah's hopeful imagination. Eachan Johnson, The Oxonian Review

"Petina Gappah's stories range from scathing satire of Zimbabwe's ruling elite to earthy comedy to sensitive accounts of the sufferings of humble victims of the regime. Gappah is a fine writer and a rising star of Zimbabwean literature." --J. M. Coetzee

"In an era when a never-ending newsfeed lets crucial events slip into oblivion, Petina Gappah's stories are particularly important. With great insight, humor, and energy, she brings us a world that, despite its differences at first glance, is not unlike our own: its people's hopes and fears are our hopes and fears, their laughter and tears ours, too. Gappah is a powerful new writer worth celebrating." --Yiyun Li, author of The Vagrants

"In An Elegy for Easterly, Petina Gappah has written a vital and honest collection of stories that vividly capture the surreal personal tragedies of twenty-first-century Zimbabweans through a rich palette of wry, dark, and intimate voices." --Owen Sheers, author of Resistance and The Dust Diaries

"Death and disaster, while never glossed over, are handled with unexpected humor, as they often are in folktales, and this is a part of the book's great charm... [One] story, about an elderly coffin maker who comes out of retirement and then dances himself to death on the floor of the "Why Leave Guesthouse and Disco-Bar" has a wild, cracked gallows humor reminiscent of Chekhov's peasant stories. And "The Maid from Lalapanzi," a wonderful tale structured partly as a chronicle of the various country girls hired and fired as maids in the narrator's household, spreads out such a wealth of comedic social detail that you don't fully grasp the underlying brutality of the story until it's over. All of these pieces depend on swiftness and lightness for their effect; flaring up into momentary life and then fading out before they acquire any burdensome solemnity, and this . . . seems true to the essential nature of the [short story] form." --James Lasdun, The Guardian

"A f...

An Elegy for Easterly by Petina Gappah is an unforgettable collection of stories set in Zimbabwe, and the winner of the Guardian First Book Award.