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Using the methods of her character Kay Scarpetta, Cornwell's forensic investigation has pointed the bloody finger of guilt at a figure who has long figured prominently in the Ripper files. The investigation here is an intriguing mix of the personal and the professional: as well as orchestrating a Scarpetta-like search for the identity of the Ripper, Cornwell involves several very personal connections with the task she has set herself, and this is no dry thesis. Needless to say, the more gruesome aspects of this famously grisly case give no pause to a woman who has taken us into the grimmer aspects of forensics with her unsqueamish protagonist, and we are spared no details here (but who would purchase Portrait of a Killer if they had delicate sensibilities?). The arguments here are intelligently marshalled, and laid out with the precision and attention to detail of Cornwell's novels.
In order to prove her thesis, Cornwell purchased (and made tests on) some great works of art, but the tale of how she arrived at her highly contentious conclusions is quite as fascinating as one of the Scarpetta books. You may not agree with her, but you will not put this book down. --Barry Forshaw
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