Eyrie - Hardcover

""Eyrie" is a fine work by any standard. It tackles myths of prosperity and success in a way that is not always comfortable, but that stirs deep thought. It is rich in compassion and affectionate towards the unlovely. It has a strong belief that no journey ends at the halfway mark. "Eyrie" is a novel for which our culture has been in urgent need." --Michael McGirr, "The Age" (Australia)

"["Eyrie"] bears witness to how the sprawling suburban world of this older generation, so often perched on the edge of wilder natural landscapes, has been tidied up, boxed in, the ecology of childhood imagination narrowed to PlayStation and satellite dish. Mostly though, it is a clear-eyed yet compassionate depiction of the underclass that lives off the crumbs of the resource boom . . . However elaborate your analysis of "Eyrie", the novel stands, like all of the author's work, on its ability to marry sophistication and simplicity. Page by page it is an engrossing novel; the reader is moved and enraged in equal measure by the plain human story of Keely and his beautiful, battered adoptive family. You long for the good guy to win. You pray and ache for a fresh start for them all. And, as ever, it is couched in the prose of a writer on whom nothing is lost, for whom the tiniest local detail bears an epiphanic charge . . . 'Bravo, ' thinks Keely, 'f . . king brava.' On finishing "Eyrie", I felt much the same." --Geordie Williamson, "The Australian
"
Praise for "Breath"
"Stunning in the depth of its audacity . . . Limitlessly beautiful prose." --"The Washington Post Book World

""Darkly exhilarating . . . A tautly gorgeous meditation on the inescapable human addiction to 'the monotony of drawing breath, ' whether you want to or not." --"The New York Times Book Review
"
"Both a hymn to the beauty of flying on water and a sober assessment of the costs of losing one's balance, in every sense of the word." --"The New Yorker"

*Starred Review* "[A] beautifully written powerful ninth novel . . . [Winton's] an absurdly good writer, with not only the proverbial eye for detail but also a facility for rendering each detail in an original way. Winton is ambitious; this is a state-of-the-nation novel about a world run amok . . . this is a fascinating, thought-provoking book." --"Publishers Weekly
"""Eyrie" is a fine work by any standard. It tackles myths of prosperity and success in a way that is not always comfortable, but that stirs deep thought. It is rich in compassion and affectionate towards the unlovely. It has a strong belief that no journey ends at the halfway mark. "Eyrie" is a novel for which our culture has been in urgent need." --Michael McGirr, "The Age" (Australia)
"["Eyrie"] bears witness to how the sprawling suburban world of this older generation, so often perched on the edge of wilder natural landscapes, has been tidied up, boxed in, the ecology of childhood imagination narrowed to PlayStation and satellite dish. Mostly though, it is a clear-eyed yet compassionate depiction of the underclass that lives off the crumbs of the resource boom . . . However elaborate your analysis of "Eyrie," the novel stands, like all of the author's work, on its ability to marry sophistication and simplicity. Page by page it is an engrossing novel; the reader is moved and enraged in equal measure by the plain human story of Keely and his beautiful, battered adoptive family. You long for the good guy to win. You pray and ache for a fresh start for them all. And, as ever, it is couched in the prose of a writer on whom nothing is lost, for whom the tiniest local detail bears an epiphanic charge . . . 'Bravo, ' thinks Keely, 'f . . king brava.' On finishing "Eyrie," I felt much the same." --Geordie Williamson, "The Australian
"
Praise for "Breath"
"Stunning in the depth of its audacity . . . Limitlessly beautiful prose." --"The Washington Post Book World
""Darkly exhilara

"Winton comes vividly and vigorously into his own in his novel's blazingly immediate portrayal of Fremantle and Perth . . . ["Eyrie"] consolidates his status as a matchlessly exhilirating and excoriating fictional chronicler of Western Australia." --Peter Kemp, "Sunday Times" (London)
"Winton excels with sharp, stunted sentences rich in compressed observation, as well as with crisp and punching dialogue. His range is impressive . . . As a funny, compassionate and gripping study of family difference and solidarity, "Eyrie" resembles Tim Winton's most famous novel, "Cloudstreet."" --"Literary Review" (UK)
"Time and again I found myself panting admiringly at Winton's imagery: 'the pipe-sick water' that trickles out of Keely's taps, the way his brain slews about inside his head 'like unsecured cargo.' I also can't think of any other contemporary writer who can sustain a story with just three main characters in it for more than 400 pages." --John Preston, "London Evening Standard
"
*Starred Review* "[A] beautifully written powerful ninth novel . . . [Winton's] an absurdly good writer, with not only the proverbial eye for detail but also a facility for rendering each detail in an original way. Winton is ambitious; this is a state-of-the-nation novel about a world run amok . . . this is a fascinating, thought-provoking book." --"Publishers Weekly
"""Eyrie" is a fine work by any standard. It tackles myths of prosperity and success in a way that is not always comfortable, but that stirs deep thought. It is rich in compassion and affectionate towards the unlovely. It has a strong belief that no journey ends at the halfway mark. "Eyrie" is a novel for which our culture has been in urgent need." --Michael McGirr, "The Age" (Australia)
"["Eyrie"] bears witness to how the sprawling suburban world of this older generation, so often perched on the edge of wilder natural landscapes, has been tidied up, boxed in, the ecology of childhood imaginationd

"The beginning of the book is fueled . . . by the astonishing, limber prose that has made Winton one of the most celebrated writers in Australia . . . Of the many achievements of this extraordinary novel, one of the most remarkable is the way the the past gradually spills into the present . . . In a book full of teriffic characters and sharply drawn relationships, the most memorable is the bond between Keely and the seemingly doomed Kai. It's heartbreaking." --Porter Shreve, "Washington Post"
"Winton comes vividly and vigorously into his own in his novel's blazingly immediate portrayal of Fremantle and Perth . . . ["Eyrie"] consolidates his status as a matchlessly exhilirating and excoriating fictional chronicler of Western Australia." --Peter Kemp, "Sunday Times" (London)
"Winton excels with sharp, stunted sentences rich in compressed observation, as well as with crisp and punching dialogue. His range is impressive . . . As a funny, compassionate and gripping study of family difference and solidarity, "Eyrie" resembles Tim Winton's most famous novel, "Cloudstreet."" --"Literary Review" (UK)
"Time and again I found myself panting admiringly at Winton's imagery: 'the pipe-sick water' that trickles out of Keely's taps, the way his brain slews about inside his head 'like unsecured cargo.' I also can't think of any other contemporary writer who can sustain a story with just three main characters in it for more than 400 pages." --John Preston, "London Evening Standard
"
*Starred Review* "[A] beautifully written powerful ninth novel . . . [Winton's] an absurdly good writer, with not only the proverbial eye for detail but also a facility for rendering each detail in an original way. Winton is ambitious; this is a state-of-the-nation novel about a world run amok . . . this is a fascinating, thought-provoking book." --"Publishers Weekly
"""Eyrie" is a fine work by any standard. It tackles myths of prosperity and success in a way that is noti

""Eyrie "is a dark but dazzling study of people ance palces on the edge . . . in [Winton's] hands, with his distinctive Australian voice and vernacular, this disquieting story also has the power to surprise and delight--perhaps even to inspire." --Allison McCullough, "The New York Times Book Review"
"The beginning of the book is fueled . . . by the astonishing, limber prose that has made Winton one of the most celebrated writers in Australia . . . Of the many achievements of this extraordinary novel, one of the most remarkable is the way the the past gradually spills into the present . . . In a book full of teriffic characters and sharply drawn relationships, the most memorable is the bond between Keely and the seemingly doomed Kai. It's heartbreaking." --Porter Shreve, "Washington Post"
"A brilliant tour-de-force." --Adam Woog, "The Seattle Times"
"Fans of Mr. Winton will expect lucid characterisation and atmospheric prose; the author finds poetry in the grimmest scenes. "Eyrie" has all this plus a page-turning narrative that tumbles inexorably towards its ending. This is Tim Winton in searingly good form." --"The Economist"
"Winton comes vividly and vigorously into his own in his novel's blazingly immediate portrayal of Fremantle and Perth . . . ["Eyrie"] consolidates his status as a matchlessly exhilirating and excoriating fictional chronicler of Western Australia." --Peter Kemp, "Sunday Times" (London)
"Winton excels with sharp, stunted sentences rich in compressed observation, as well as with crisp and punching dialogue. His range is impressive . . . As a funny, compassionate and gripping study of family difference and solidarity, "Eyrie" resembles Tim Winton's most famous novel, "Cloudstreet."" --"Literary Review" (UK)
"Time and again I found myself panting admiringly at Winton's imagery: 'the pipe-sick water' that trickles out of Keely's taps, the way his brain slews about inside his head 'like unsecured cargo.' I also can't think of any other contemporary writer who can sustain a story with just three main characters in it for more than 400 pages." --John Preston, "London Evening Standard
"
*Starred Review* "[A] beautifully written powerful ninth novel . . . [Winton's] an absurdly good writer, with not only the proverbial eye for detail but also a facility for rendering each detail in an original way. Winton is ambitious; this is a state-of-the-nation novel about a world run amok . . . this is a fascinating, thought-provoking book." --"Publishers Weekly
"""Eyrie" is a fine work by any standard. It tackles myths of prosperity and success in a way that is not always comfortable, but that stirs deep thought. It is rich in compassion and affectionate towards the unlovely. It has a strong belief that no journey ends at the halfway mark. "Eyrie" is a novel for which our culture has been in urgent need." --Michael McGirr, "The Age" (Australia)
"["Eyrie"] bears witness to how the sprawling suburban world of this older generation, so often perched on the edge of wilder natural landscapes, has been tidied up, boxed in, the ecology of childhood imagination narrowed to PlayStation and satellite dish. Mostly though, it is a clear-eyed yet compassionate depiction of the underclass that lives off the crumbs of the resource boom . . . However elaborate your analysis of "Eyrie," the novel stands, like all of the author's work, on its ability to marry sophistication and simplicity. Page by page it is an engrossing novel; the reader is moved and enraged in equal measure by the plain human story of Keely and his beautiful, battered adoptive family. You long for the good guy to win. You pray and ache for a fresh start for them all. And, as ever, it is couched in the prose of a writer on whom nothing is lost, for whom the tiniest local detail bears an epiphanic charge . . . 'Bravo, ' thinks Keely, 'f . . king brava.' On finishing "Eyrie," I felt much the same." --Geordie Williamson, "The Australian
"
Praise for "Breath"
"Stunning in the depth of its audacity . . . Limitlessly beautiful prose." --"The Washington Post Book World
""Darkly exhilarating . . . A tautly gorgeous meditation on the inescapable human addiction to 'the monotony of drawing breath, ' whether you want to or not." --"The New York Times Book Review
"
"Both a hymn to the beauty of flying on water and a sober assessment of the costs of losing one's balance, in every sense of the word." --"The New Yorker"

"Eyrie "is a dark but dazzling study of people ance palces on the edge . . . in [Winton's] hands, with his distinctive Australian voice and vernacular, this disquieting story also has the power to surprise and delight--perhaps even to inspire. "Allison McCullough, The New York Times Book Review"

The beginning of the book is fueled . . . by the astonishing, limber prose that has made Winton one of the most celebrated writers in Australia . . . Of the many achievements of this extraordinary novel, one of the most remarkable is the way the the past gradually spills into the present . . . In a book full of teriffic characters and sharply drawn relationships, the most memorable is the bond between Keely and the seemingly doomed Kai. It's heartbreaking. "Porter Shreve, Washington Post"

A brilliant tour-de-force. "Adam Woog, The Seattle Times"

Fans of Mr. Winton will expect lucid characterisation and atmospheric prose; the author finds poetry in the grimmest scenes. "Eyrie" has all this plus a page-turning narrative that tumbles inexorably towards its ending. This is Tim Winton in searingly good form. "The Economist"

Winton comes vividly and vigorously into his own in his novel's blazingly immediate portrayal of Fremantle and Perth . . . ["Eyrie"] consolidates his status as a matchlessly exhilirating and excoriating fictional chronicler of Western Australia. "Peter Kemp, Sunday Times (London)"

Winton excels with sharp, stunted sentences rich in compressed observation, as well as with crisp and punching dialogue. His range is impressive . . . As a funny, compassionate and gripping study of family difference and solidarity, "Eyrie" resembles Tim Winton's most famous novel, "Cloudstreet." "Literary Review (UK)"

Time and again I found myself panting admiringly at Winton's imagery: 'the pipe-sick water' that trickles out of Keely's taps, the way his brain slews about inside his head 'like unsecured cargo.' I also can't think of any other contemporary writer who can sustain a story with just three main characters in it for more than 400 pages. "John Preston, London Evening Standard"

*Starred Review* [A] beautifully written powerful ninth novel . . . [Winton's] an absurdly good writer, with not only the proverbial eye for detail but also a facility for rendering each detail in an original way. Winton is ambitious; this is a state-of-the-nation novel about a world run amok . . . this is a fascinating, thought-provoking book. "Publishers Weekly"

"Eyrie" is a fine work by any standard. It tackles myths of prosperity and success in a way that is not always comfortable, but that stirs deep thought. It is rich in compassion and affectionate towards the unlovely. It has a strong belief that no journey ends at the halfway mark. "Eyrie" is a novel for which our culture has been in urgent need. "Michael McGirr, The Age (Australia)"

["Eyrie"] bears witness to how the sprawling suburban world of this older generation, so often perched on the edge of wilder nat...

Tom Keely has lost his way, and now, middle-aged and jobless he finds himself holed up in a flat at the top of a grim high-rise, looking down on the world he’s fallen out of love with.   He is determined to cut himself off, until one day he runs into some neighbours: a woman he used to know when they were kids, and her introverted young boy, Kai. The encounter shakes him up in a way he doesn’t understand and, despite himself, Keely lets them in. As Keely’s fascination and love for Kai develops he is drawn deeper into their world, and into their troubled and dangerous past.   What follows is a heart-stopping, ground-breaking novel for our times – funny, confronting, exhilarating and haunting – populated by unforgettable characters. Eyrie asks how, in an impossibly compromised world, we can ever hope to do the right thing.