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If this all sounds a tad generic, Tyler's case isn't helped by the characteristics she's given the two spouses. Him: repressed, censorious, quiet. Her: voluble, emotional, romantic. Mars, meet Venus. What marks this couple, though, and what makes them come alive, is their bitter, unproductive, tooth-and-nail fighting. Tyler is exploring the way that ordinary-seeming, prosperous people can survive in emotional poverty for years on end. She gets just right the tricks Michael and Pauline play on themselves in order to stay together: "How many times", Pauline asks herself, "when she was weary of dealing with Michael, had she forced herself to recall the way he'd looked that first day? The slant of his fine cheekbones, the firming of his lips as he pressed the adhesive tape in place on her forehead". Only in antogonism do Michael and Pauline find a way to express themselves. --Claire Dederer, Amazon.com
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