The Good German - Softcover

 Now a Major Motion Picture The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. The Good German is a story of espionage, love, and murder, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice and what we mean by good and evil in times of peace and of war.

"ÝKanon¨ is fast approaching the complexity and relevance not just of le Carre and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women." --"The New York Times Book Review"
"As he did in "Los Alamos," Kanon demonstrates an eerie mastery of the evocative historical detail....You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks.... Kanon is as ambitious a novelist as he is a gifted one." --"The Washington Post"
"A terrific book...Kanon is the heir apparent to Graham Greene and early-and mid-passage le Carre, for he writes of moral quandaries that are real and not created to drive a plot....The multilayered story is beautifully told." --"The Boston Globe"
"Gripping...Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming
the demonizers." --"Newsday"
" [Kanon] is fast approaching the complexity and relevance not just of le Carre and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women." -- "The New York Times Book Review"
" As he did in "Los Alamos," Kanon demonstrates an eerie mastery of the evocative historical detail....You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks.... Kanon is as ambitious a novelist as he is a gifted one." -- "The Washington Post"
" A terrific book...Kanon is the heir apparent to Graham Greene and early-and mid-passage le Carre, for he writes of moral quandaries that are real and not created to drive a plot....The multilayered story is beautifully told." -- "The Boston Globe"
" Gripping...Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming
the demonizers." -- "Newsday"
“[Kanon] is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women.” —"The New York Times Book Review "
“As he did in "Los Alamos," Kanon demonstrates an eerie mastery of the evocative historical detail....You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks.... Kanon is as ambitious a novelist as he is a gifted one.” —"The Washington Post"
“A terrific book...Kanon is the heir apparent to Graham Greene and early-and mid-passage le Carré, for he writes of moral quandaries that are real and not created to drive a plot....The multilayered story is beautifully told.” —"The Boston Globe"
“Gripping...Kanon has written a tale about the untenable choices war entail

"[Kanon] is fast approaching the complexity and relevance not just of le Carre and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women." --"The New York Times Book Review "

"As he did in "Los Alamos", Kanon demonstrates an eerie mastery of the evocative historical detail....You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks.... Kanon is as ambitious a novelist as he is a gifted one." --"The Washington Post"

"A terrific book...Kanon is the heir apparent to Graham Greene and early-and mid-passage le Carre, for he writes of moral quandaries that are real and not created to drive a plot....The multilayered story is beautifully told." --"The Boston Globe"

"Gripping...Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming
the demonizers." --"Newsday"

[Kanon] is fast approaching the complexity and relevance not just of le Carre and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women. "The New York Times Book Review"

As he did in "Los Alamos," Kanon demonstrates an eerie mastery of the evocative historical detail....You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks.... Kanon is as ambitious a novelist as he is a gifted one. "The Washington Post"

A terrific book...Kanon is the heir apparent to Graham Greene and early-and mid-passage le Carre, for he writes of moral quandaries that are real and not created to drive a plot....The multilayered story is beautifully told. "The Boston Globe"

Gripping...Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming
the demonizers. "Newsday""

[Kanon] is fast approaching the complexity and relevance not just of le Carre and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women. The New York Times Book Review

As he did in Los Alamos, Kanon demonstrates an eerie mastery of the evocative historical detail....You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks.... Kanon is as ambitious a novelist as he is a gifted one. The Washington Post

A terrific book...Kanon is the heir apparent to Graham Greene and early-and mid-passage le Carre, for he writes of moral quandaries that are real and not created to drive a plot....The multilayered story is beautifully told. The Boston Globe

Gripping...Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming
the demonizers. Newsday

"

-[Kanon] is fast approaching the complexity and relevance not just of le Carre and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women.- --The New York Times Book Review

-As he did in Los Alamos, Kanon demonstrates an eerie mastery of the evocative historical detail....You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks.... Kanon is as ambitious a novelist as he is a gifted one.- --The Washington Post

-A terrific book...Kanon is the heir apparent to Graham Greene and early-and mid-passage le Carre, for he writes of moral quandaries that are real and not created to drive a plot....The multilayered story is beautifully told.- --The Boston Globe

-Gripping...Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming
the demonizers.- --Newsday

"[Kanon] is fast approaching the complexity and relevance not just of le Carre and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women." --The New York Times Book Review

"As he did in Los Alamos, Kanon demonstrates an eerie mastery of the evocative historical detail....You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks.... Kanon is as ambitious a novelist as he is a gifted one." --The Washington Post

"A terrific book...Kanon is the heir apparent to Graham Greene and early-and mid-passage le Carre, for he writes of moral quandaries that are real and not created to drive a plot....The multilayered story is beautifully told." --The Boston Globe

"Gripping...Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming
the demonizers." --Newsday