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Public Servants: Art and the Crisis of the Common Good (Critical Anthologies in Art and Culture): Volume 2 (Critical Anthologies in Art and Culture, 2) - Hardcover

 
9780262034814: Public Servants: Art and the Crisis of the Common Good (Critical Anthologies in Art and Culture): Volume 2 (Critical Anthologies in Art and Culture, 2)
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Essays, dialogues, and art projects that illuminate the changing role of art as it responds to radical economic, political, and global shifts.

How should we understand the purpose of publicly engaged art in the twenty-first century, when the very term "public art" is largely insufficient to describe such practices? Concepts such as "new genre public art," "social practice," or "socially engaged art" may imply a synergy between the role of art and the role of government in providing social services. Yet the arts and social services differ crucially in terms of their methods and metrics. Socially engaged artists need not be aligned (and may often be opposed) to the public sector and to institutionalized systems.,

In many countries, structures of democratic governance and public responsibility are shifting, eroding, and being remade in profound ways -- driven by radical economic, political, and global forces. According to what terms and through what means can art engage with these changes? This volume gathers essays, dialogues, and art projects -- some previously published and some newly commissioned -- to illuminate the ways the arts shape and reshape a rapidly changing social and governmental landscape. An artist portfolio section presents original statements and projects by some of the key figures grappling with these ideas.

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About the Author:
Johanna Burton is Keith Haring Director and Curator of Education and Public Engagement at the New Museum in New York and the series editor for the Critical Anthologies in Art and Culture. Social Works: Performing Art, Supporting Publics. Public Intimacy: Art and Other Ordinary Acts in South Africa. Johanna Burton is Keith Haring Director and Curator of Education and Public Engagement at the New Museum in New York and the series editor for the Critical Anthologies in Art and Culture. Social Works: Performing Art, Supporting Publics. Public Intimacy: Art and Other Ordinary Acts in South Africa. Mengele's Skull, The Least of All Possible Evils, and Hollow Land. Devin Fore is Associate Professor in the Department of German at Princeton University. Undoing the Demos: Neoliberalism's Stealth Revolution (Zone Books). Johanna Burton is Keith Haring Director and Curator of Education and Public Engagement at the New Museum in New York and the series editor for the Critical Anthologies in Art and Culture. The Exiles of Marcel Duchamp (MIT Press, 2007). His essays have appeared in such journals as Artforum, Grey Room, October, and Texte zur Kunst. Carrie Lambert-Beatty is Assistant Professor in the Department of History of Art and Architecture and the Department of Visual and Environmental Studies at Harvard University. Tom Finkelpearl is Program Director of PS 1 Contemporary Art Center in New York City. From 1990 to 1996, he was Director of New York City's Percent for Art Program. Social Works: Performing Art, Supporting Publics. Johanna Burton is Keith Haring Director and Curator of Education and Public Engagement at the New Museum in New York and the series editor for the Critical Anthologies in Art and Culture.

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  • PublisherMIT Press
  • Publication date2016
  • ISBN 10 0262034816
  • ISBN 13 9780262034814
  • BindingHardcover
  • Edition number1
  • Number of pages544
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