Incidents In The Life Of A Slave Girl (Schomburg Library Of Nineteenth-Century Black Women Writers) (The Schomburg Library of Nineteenth-Century Black Women Writers) - Softcover

"A viable alternative to male save narratives. The specific problems faced by female slaves are clearly portrayed."--Ray Doyle, West Chester Univ.
"My personal favorite...Jacobs confronts the contradictions inherent in the category 'the black woman writer.' By engaging these issues and negotiating a course through them, she anticipates the literary and ideological position of subsequent generations of black women writers."--Jean Fagan Yellin,
The Washington Post Book World
"A corrective to those who have identified the slave narrative primarily as a male genre....This particular edition, with its introduction by Valerie Smith, sheds new light on the choices its heroine Linda Brent makes."--The Women's Review of Books
"A viable alternative to male save narratives. The specific problems faced by female slaves are clearly portrayed."--Ray Doyle, West Chester Univ.
"My personal favorite...Jacobs confronts the contradictions inherent in the category 'the black woman writer.' By engaging these issues and negotiating a course through them, she anticipates the literary and ideological position of subsequent generations of black women writers."--Jean Fagan Yellin,
The Washington Post Book World
"A corrective to those who have identified the slave narrative primarily as a male genre....This particular edition, with its introduction by Valerie Smith, sheds new light on the choices its heroine Linda Brent makes."--The Women's Review of Books
"A viable alternative to male save narratives. The specific problems faced by female slaves are clearly portrayed."--Ray Doyle, West Chester Univ.
"My personal favorite...Jacobs confronts the contradictions inherent in the category 'the black woman writer.' By engaging these issues and negotiating a course through them, she anticipates the literary and ideological position of subsequent generations of black women writers."--Jean Fagan Yellin, The Washington Post Book World
"A corrective to those who have identified the slave narrative primarily as a male genre....This particular edition, with its introduction by Valerie Smith, sheds new light on the choices its heroine Linda Brent makes."--The Women's Review of Books
"A viable alternative to male save narratives. The specific problems faced by female slaves are clearly portrayed."--Ray Doyle, West Chester Univ.

"My personal favorite...Jacobs confronts the contradictions inherent in the category 'the black woman writer.' By engaging these issues and negotiating a course through them, she anticipates the literary and ideological position of subsequent generations of black women writers."--Jean Fagan Yellin, The Washington Post Book World

"A corrective to those who have identified the slave narrative primarily as a male genre....This particular edition, with its introduction by Valerie Smith, sheds new light on the choices its heroine Linda Brent makes."--The Women's Review of Books

These two slave narratives expand our knowledge of the differing ways males and females coped with enslavement and later ordeals in flight. This popularly–priced anthology contains the often taught Incidents in the Life of a Slave Girl by Harriet Jacobs and the recently discovered A True Tale of Slavery by John S. Jacobs, her younger brother, now reprinted for the first time.

After Harriet s owner, a physician, repeatedly abused her, she escaped his sexual advances for a time by entering into a relationship with a local attorney. Her owner continued to harass her, and she sought refuge in a crawlspace where she lived in hiding. After her escape to the North, she published her narrative.

John S. Jacobs walked away as he put it, from his owner, a congressman. He sailed on a whaling ship and educated himself. He then became a paid agent of the Anti–Slavery Society, made a lecturing trip with Frederick Douglass, and finally settled in London, where he remained until it was safe for a fugitive to return to the North. He wrote his story for a London Sunday school journal where it was published in 1861.